Legend of the Free State of Jones by Rudy Leverett

Legend of the Free State of Jones
By Rudy H. Leverett
University of Mississippi Press

Reviewed by Keith Jones

With Hollywood at it again producing harsh depictions of the South in the new movie, The Free State of Jones, I decided to investigate the actual story. The Legend of the Free State of Jones by Dr. Rudy H. Leverett is the full study of the real facts surrounding these events. Of course Hollywood produced a movie based on the popular legend of a county led by a band of deserters who had been pressed into Confederate service unwillingly. This county, Jones, then seceded from the Confederacy led by Captain Newt Knight to form an independent republic of its own where everyone loves everyone else and hates all of the evil people of the South. If, like Hollywood, you hate the South, its people and especially its history, then this is the movie for you. There’s one problem… the facts don’t entirely square with the story being told.

The narrative Newt Knight and his son, T. J. Knight told claims that Newt Knight reluctantly joined the Confederate army when pressed into service and only agreed if he could serve in a medical function such as a hospital orderly. The truth is that Newt Knight joined the army at the time of secession, long before the conscription acts, and attained the rank of Second Sergeant, a position of great responsibility and not one that someone serving under protest would ever be trusted with. Despite the fact that Knight would complain about Mississippi’s secession had been effected despite his county having opposed it and Knight himself opposing it, it appears that his real beef was with the “20 slave law”, the law which exempted from service any man owning 20 slaves or more. This ill-advised law gave rise to the term, “rich man’s war and a poor man’s fight.” So, in short, it appears that Knight’s disaffection was more a product of good old fashioned class warfare.

Fun fact about Newt Knight, he was a natural born killer who committed his first murder while still a minor. His victim was a slave boy and Knight’s mother falsified his birth date to prevent his being prosecuted as an adult. This likely saved Newt Knight from the gallows. Knight would commit another murder before the war, this time he shot his brother-in-law over an alleged affair.

The swamps of Jones County provided a perfect hiding place for deserters from the Confederate army. There were several bands of deserters and a couple of others held a clearer claim to the true unionist title than Knight and his group. Knight’s group mostly faced local home guard groups in their fights, but despite what Hollywood depicts, his band was driven underground and nearly destroyed every time the Confederate government sent actual combat troops against them. Far from having the support of the local citizens, the deserters were instead feared. The locals frequently petitioned the government to send troops to protect them from Knight.

Knight’s first killing of a Confederate officer was Major Amos McLemore, who had been Knight’s captain when he had first enlisted in the army. McLemore was a very popular school teacher in Jones County before the war and an ardent opponent of secession. Like many in the South who opposed secession, however; once it was a fact, he quickly adapted and volunteered his services. McLemore’s killing did not come in a grand battle with the “brave” Knight.

McLemore’s mission was to recapture deserters and if possible to encourage any willing to surrender and voluntarily return to their units. He had been highly successful in this endeavor, having enticed about a thousand men to return to the army with little actual violence necessary. Knight was unhappy about this and decided that McLemore must die. Knight and a few of his men crept upon McLemore’s porch at night while he slept in his bed and shot him through his window.

If you want to know the true history of the so-called “Republic” or “Free State” of Jones, read this book.

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Johnnie Come Lately – Audio Version

If you have read my previous posts on the subject, you already know that I am a fan of Kathleen Rodgers‘ novels. I have had the pleasure of conducting two interviews with Kathy for these pages. First in 2012 and earlier this year.

Of course I have reviewed both of her books here. First “The Final Salute” then most recently “Johnnie Come Lately.”

When we were about to take a family trip recently, I decided to check out the audio version of her most recent work, “Johnnie Come Lately.”

I must say that the narrator, Leslie Ellis, does an excellent job of bringing this book to life. Reading and then listening to a dramatic rendering of a book can be a very different experience, but when done as professionally as by Ms. Ellis, it just rounds out the experience. We hung on the edge of each chapter and with some of the book remaining, we were eager each day to get back in the car to listen to some more. Even if you have read the book, you will enjoy this experience. If you find it difficult to find time to read, then this is the perfect way to experience this fine book. Don’t miss out. Rodgers is a rising star in the genre.

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Big Cover Reveal, Echoes From Gettysburg: South Carolina

Hello folks. This post will be short and sweet, here for your viewing pleasure is the front cover for my upcoming book, “Echoes From Gettysburg: South Carolina’s Memories and Images.” I will keep you posted when a release date has been decided. Now, back to working on the index. Cheers.

Click on the cover for a larger image.

Click on the cover for a closer look.

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Review of In Due Time and interview by Serious Reading


Recently the site, http://seriousreading.com, reviewed “In Due Time” and conducted an interview with me about my writing.  You can access these by clicking on the links provided here:

Review of “In Due Time”

Interview

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Review of The Real Wizard of Oz by Rebecca Loncraine

The Real Wizard of Oz
By Rebecca Loncraine
Reviewed by J. Keith Jones

Think you know everything about L. Frank Baum and The Wizard of Oz? Well, this book pulls back the curtain from the creator of The Wizard of Oz much the way that Toto did from the Wizard in the movie, revealing him as a “humbug.” Well, Baum was no “humbug,” but he was many things you likely did not know. For one thing, he was the son-in-law of one of the women most active in the women’s suffrage movement and was almost as active in the movement as his mother-in-law. He also eschewed traditional religion, instead he was deeply involved in spiritualism and other occult practices.

Throughout the book, Loncraine illustrates various life experiences that will show up later in Baum’s books. You see the influence of Baum’s time living on the plains of South Dakota. Much has been made about some newspaper editorials Baum wrote proposing genocide of the plains Indians, however; other writings show how deeply conflicted he was on the issue. On one hand, Baum was quite sympathetic for the plight of native tribes, but on the other, he would speak out of the same fear other settlers felt due to frontier attacks which were happening outside the cities, like his home in Aberdeen.

Ultimately Baum would give up on the mid-western plains experience and spend much of his life living in Chicago. There he would write many of his Oz books, and there would be many. Most people only know about the one from which the movie was produced, but Baum ended up writing far more Oz books with fresh new characters than he ever intended. The truth was that Baum would become bored with writing about Oz from time to time and pledge that the one he was working on would be his last. When his other books proved to be far less popular, he reconsidered and another Oz book was in the offing.

Toward the end of his life, Baum moved to Hollywood in the early days of the film industry and in fact established his own movie studio to produce movies about Oz. While Baum was a fine writer, he was a poor businessman and his movie business was largely unsuccessful, like his other businesses. Baum also went through money faster than he could make it, which played a role in forcing him – over and over – to write that next Oz book, almost against his will.

The original illustrator of the Oz books, William W. Denslow makes another interesting side story. Denslow’s iconic images played a key role in establishing the Oz franchise, but he always seemed to get the short end of the stick in the financial arrangements of the Oz world. He and Baum finally fell out over this causing Denslow to part ways with Baum. Eventually the two men were not even on speaking terms. Denslow had done well enough through the years, however; that he was able to buy a small island off the shore of Bermuda, which he declared to be the nation of Denslow Island and crowned himself King Denslow the first.

Baum died in 1919 at the age of 62, but Mrs. Baum, whom he always considered his intellectual equal, lived until 1953, having seen her husbands magnum opus receive the big screen treatment. Among the great pictures illustrating the book is one of Maude Baum posing for a publicity photo with Judy Garland as they perused an original copy of the Wizard of Oz. The Real Wizard of Oz is an entertaining and enlightening read well worth your time.

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A Few Moments with Kathleen Rodgers

I first had the opportunity to interview Kathleen Rodgers back in mid 2012 while she was seeing a resurgence of her first novel, “The Final Salute.” Today, I am proud to offer my readers this brief glimpse into the mind of this fine author here in 2016 while she is enjoying new success from her second novel, “Johnnie Come Lately.” Now for the interview…

First, congratulations on your success with Johnnie Come Lately and the upcoming sequel. Second, thanks for taking the time to visit with us today.

1. Now that you are working on a sequel to Johnnie Come Lately, is this your first go at serializing a character? How does this feel versus writing one-off characters?

KR: Yes, this is my first go at serializing a character in a sequel. The challenge in Seven Wings to Glory is to bring back the same basic lineup of characters from Johnnie Come Lately (give or take a few) while introducing a couple of new characters and upping the stakes for all of my story people.

2. Do you envision a long series of Johnnie books?

KR: Unless I hear a big outcry from readers for more Johnnie stories, I plan to retire Johnnie Kitchen after I finish Seven Wings to Glory. I have another novel banging around in my head that takes place in New Mexico, and I hope to start working on it after I turn in the sequel.

3. Has your previous book, The Final Salute, found a new audience because of this?

KR: Yes, I’ve heard from readers who’ve read The Final Salute after reading Johnnie Come Lately. The hope is always that new readers of your second book will fall in love with your writing and want to explore your previous work. Although my first two novels are very different in scope and style, they each contain elements of the military and family dynamics. The first two stories I sold to Family Circle Magazine dealt with the military and family relationships.

4. Knowing what you do now, what would you have done differently if you could?

KR: If I could go back in time and talk to my younger self, I would tell her to be proud of every writing accomplishment no matter how big or small. Despite some amazing publishing successes, I have a tendency to diminish each one. For years, I would tell my husband, “If only I could sale a story to a national magazine, then I’ll be happy. If only I could get my first novel published by a traditional publisher, then I’ll be happy. If only I could find a literary agent…” The list goes on and on. At fifty-seven, I’m learning that happiness must first come from the work itself. The most meaningful part of the author journey for me is when I have a breakthrough in a scene or when a character says something that makes me laugh or cry. Those are the moments that propel me to keep moving forward. Book signings, speaking engagements, stellar reviews, and bestseller lists will come and go, but the writing process is where we writers can truly find joy for our souls.

5. Do you spend any time in shorter form fiction and essays these days?

KR: Once in a while, I’ll write an essay or a poem, but mostly I’m trying to concentrate on writing novels. I still blog occasionally, but my blog is primarily another avenue to promote myself and other writers.

6. Do you workshop your writing anywhere?

KR: For many years, I attended writing workshops and took classes. In 2007, I enrolled in a yearlong novel writing program at Southern Methodist University in Dallas. That’s where Johnnie took her first tentative breath. In 2008, I joined The Writers Garrett in Dallas, and I faithfully attended Saturday critique group (Stone Soup) twice a month for several years. I found the feedback so helpful. Today, I mostly show my work to a few beta readers and my agent.

7. Any insights on how it is to work with an agent in the creative process?

KR: I’ve had two literary agents in my writing career. My first agent was a lovely gentleman based in Manhattan, but he dropped all of his fiction authors in the mid nineties to concentrate on his stable of nonfiction writers. I went without an agent for years. In 2013, four months after I completed Johnnie and 150 queries later, I signed a contract with Jeanie Loiacono, President of Loiacono Literary Agency. For years I’d hungered for the kind of relationship that legendary author Eudora Welty enjoyed with her agent, Diarmuid Russell (Author & Agent by Michael Kreyling). When Jeanie and I met for the first time, I knew we were a good fit.

Because she is based in the Dallas/Fort Worth area where I live, we are able to meet in person occasionally to discuss my work in progress or the promotional efforts for Johnnie and the 2nd edition of The Final Salute (Deer Hawk Publications). Although my husband now serves as my first reader and listener (he doesn’t suffer fools), it’s gratifying to have an agent you can brainstorm with. In the early stages of the sequel, Jeanie would listen patiently then give me an attagirl or offer suggestions. In November 2015, Camel Press offered me a contract for the sequel, based on the first 100 pages of the manuscript. The sequel is due July 1, 2016. It’s a relief to know I have a home for my work, but the pressure is on to turn in an entertaining story that I hope is even better than my first two novels.

8. Describe how you came to create Johnnie Kitchen?

KR: Johnnie first expressed herself to me in first person through letters and journal entries. It took me a while to realize that she’d been a closet writer since she was a little girl scribbling in diaries and notebooks. Through her voice, I learned to trust her to help me tell the story of a vibrant middle-aged woman who is discovering herself and knocking down “locked doors of the heart” years after a tragedy stunned her family to silence. Much of the novel has to do with family secrets. It was fun to see Johnnie get a letter to the editor published in her local newspaper. In turn, that gave her the courage to submit a short essay to her college literary journal. In the sequel, Johnnie has her own newspaper column called “Dishing It Out With Johnnie Kitchen.” Stay tuned…

9. What inspires you to write?

KR: Something “wakes me up.” That could also read “shakes me up.” Or I want to uncover the truth that others want to keep quiet. I let my characters tell me what they need and want. I try not to get in their way.

10. Do you have a writing routine?

KR: When my children were young, I kept office hours. With little time on my hands, I carved out a writing career. Today, my children are grown and my husband is retired. With so much time on my hands, my biggest challenge is to stay disciplined and believe I still have something to say. But there’s nothing like a looming deadline to keep you in the chair and working on a book. Since I’m writing the sequel under contract, it seems that I’m always working on the new story, even when I’m away from my desk or laptop.

Whether it’s “daydreaming up a scene” or brainstorming the plot, I’m always scribbling notes onto a legal pad or in a journal. Mechanical pencils make it fun, and I love to switch the colors to fit my moods or the season I’m writing about in each scene. I have notes scribbled everywhere, and I’ve been know to scribble in church. I revise as I go. I don’t write with an outline, but I know the ending of my novel and I write towards it. Anytime I start to get frustrated or lose faith in my ability, that tiny but mighty voice inside of me starts singing, “trust the process.”

11. Is there anything else you would like to share?

KR: My process: I imagine that I am each person living inside the story, and I become each character as I write. Physical attributes, body language, and gestures are all important to bring a character to life. But it’s what’s on the inside that makes my characters feel alive to me. What are their secrets? What are they hiding? What are they afraid of? Who is getting in their way? Do they believe in God? Do they have phobias or anxiety attacks? How do they feel about visiting a cemetery after midnight? Are they haunted by past mistakes? Do they hold grudges or are they able to forgive?

Flawed everyday characters charm me more than bigger than life super heroes or heroines. The bottom-line: I go for emotional impact. I want my readers to laugh and cry with my characters. I want fiction and reality to blend into a seamless dimension where my characters know they are real people and my readers think they are my characters.

Thank you so much, Keith. I enjoyed our chat.

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Review of The Evil Day by R. G. Yoho

The Evil Day
By R. G. Yoho
White Feather Press

Reviewed by Keith Jones

“The Evil Day” is the most recent of R. G. Yoho’s Kellen Malone books set on the American west. In recent comments Yoho has stated that this was his most difficult book to write. That did not prevent it from being one of his most well written. It is always difficult for a writer to have to work in the mind of a evil person and make bad things happen to good people. These are exactly the things taking place in this book. In many ways “The Evil Day” can be thought of as a Western version of “Criminal Minds.”

In addition to Malone, some of Yoho’s best characters are back for another round in this adventure. This book crashes right into the action from the very beginning when Joe “Skull” Clements is attacked by the unknown killer. The action and intrigue escalates quickly from there. Kellen Malone and his friend, U. S. Marshal Hartline Brimley have to deal with a sheriff they believe they can’t trust, Reno Garrison, while trying to solve a mystery. The question that is always on the reader’s mind is, will they be in time.

In “The Evil Day” R. G. Yoho does another fine job. This series has reached the point where a new reader can go to the beginning with “Long Ride to Yesterday” and not have to wait for the next one to be written for a while.

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Review of Return to Matewan by R. G. Yoho

Return to Matewan
By R. G. Yoho
White Feather Press

Reviewed by Keith Jones

I have read almost all of R. G. Yoho’s books and I must say that “Return to Matewan” goes to the head of the class. I am a fan of his work in general, but I must say that Yoho should observe what he did with this book and keep doing it.

This effort is a departure from his usual Western, instead meeting the old Western and a modern day East Coast setting half way: just after World War I in West Virginia. Yoho leverages on events during the height of the violent coal mining strikes in West Virginia, Kentucky and Colorado. Mine owners in those days would hire private detective agencies to provide security and otherwise protect their interests in those troubled times. Unfortunately the security and protection of their interests often equated to brutalizing and punishing any who dared oppose them. One of the largest and most powerful of these agencies was the Baldwin-Felts Detective Agency.

Principal ground work for this book lies in the famous Battle of Matewan, where Sheriff Sid Hatfield and his deputies shot it out in the streets with the agents of Baldwin-Felts who were trying to evict miners from their homes in retaliation for labor organization actions. Two of the Felts brothers, siblings of co-owner Thomas Felts, were killed in this fight in which Hatfield prevailed. Felts would have the last say when his agents gunned an unarmed Hatfield down in the street on his way to a court appearance. Claiming self-defense none would be punished.

So, enter Billy Hatfield, illegitimate son of Sid Hatfield, and we are off to the races with a good old fashioned story of revenge. Add in Morgan Cobb, war hero, native son and top trouble shooter for the detective agency who is seeking a better life to escape from past sins committed in dealing with other such matters before and you also have a story of redemption. The dynamics between Hatfield and Cobb along with carefully crafted history and back story make this a tale worth spending the day with.

“Return to Matewan” is R. G. Yoho at his finest.

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Merry Christmas and a great New Year

In this most blessed season I want to extend a very Merry Christmas to all my readers and friends. Over the last few years it has been my pleasure to get to know many of you around the country. I had the recent pleasure of attending the West Virginia Book Festival and shared space with my good friend Robert G. Yoho and his lovely wife Jo Ellen. I recently finished reading his latest book, Return to Matewan and must say it is his finest work. I will be reviewing it here soon. I also had the honor of reconnecting with a frequent acquaintance, the dean of historical fiction Jeff Shaara. I also had the honor of being invited to participate in the Sesquicentennial observance of the surrender at the Bennett Place in Durham, NC. There I had the pleasure of spending time with several great authors and historians such as Michael C. Hardy, Eric Wittenberg, Lee Sherrill, Patrick Schroeder and Wade Sokolosky.

This past year was a challenging one for me in many aspects, not the least of which was in the writing realm. Many distractions and lots of necessary ground work being laid. I am expecting a big year in 2016. There will be an article in Gettysburg Magazine in July and I have done a lot of necessary work on the South Carolina troops at Gettysburg book. I am also expecting to revise and expand the Georgia troops at Gettysburg work in the same year. I am planning to make a return to fiction with a book I have been promising Skip Coryell at White Feather Press.

So, enjoy some good time with family and friends and let’s enjoy a blessed and productive year in 2016.

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Review of The Battle of Monroe’s Crossroads by Eric Wittenberg

The Battle of Monroe’s Crossroads
By Eric J. Wittenberg
Savas Beatie
Reviewed by J. Keith Jones

This book provides a great rendering of an often overlooked piece of history. As Gen. Robert E. Lee was winding down his defense of Richmond and Petersburg before attempting to retreat into the Virginia countryside, there was still a lot of fighting going on in the Carolinas. By March 10, 1865, Sherman’s army had torn through South Carolina and was breathing down the neck of Fayetteville, North Carolina. It was there at Monroe’s Crossroads near the farm of Charles Monroe that the last major cavalry battle occurred. Only the most knowledgeable student of the American Civil War is familiar with this action, but more trivia buffs will have heard of it as “Kilpatrick’s Shirttail Skedaddle.”

At dawn on March 10, Confederate cavalry under Lt. Gen. Wade Hampton and Major Generals Joseph Wheeler and Matthew C. Butler struck the Yankee cavalry of Maj. Gen. Hugh Judson Kilpatrick, who had neglected to properly guard and picket the woods and swamps surrounding his camp. The surprise was so complete that Kilpatrick literally ran from the house – where he had been keeping company with a young woman simply remembered by history as “Alice” – in his bed clothes where he hopped a borrowed horse and fled into the swamp. The Confederates enjoyed a rare numerical advantage and would likely have achieved a complete victory had it not been for a topographical blunder that resulted in Wheeler’s men becoming bogged down in the swamp.

As it was, the barely clad Kilpatrick was able to regain his camp and claim victory – and attempt to regain some small amount of dignity – despite having fled in his underclothes and having left “Alice” to her own devices during the raid. The most important factor of this battle, however; was not the technical nor tactical nature of victory based on who held the ground at the end of the day. Although, Hampton had a strong desire to capture and embarrass his old enemy, Kilpatrick, the larger goal was to cover the movements of the Confederate infantry as they navigated the crossing of the Cape Fear River. This allowed them to find favorable ground for what was to be their grand last stand at the Battle of Bentonville.

Contributing to the obscurity of this little known battle is the fact that the battlefield lies in the middle of what is now Fort Bragg, one of the largest U.S. Army bases in the world. So, while there are monuments, markers and graves marking this ground, you are unlikely to ever see them outside the photographs the author provides inside this book. Eric Wittenberg’s smooth narrative and thorough analysis of the battle as well as the factors leading up to it and the aftermath make this as enlightening as it is entertaining.

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